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Quaderni of Istituto
Liszt
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The two main aims of the association “Istituto Liszt” are
the study of Liszt's personality and work and the propagation of a
performance praxis consistent with the different styles and types of
his artistic production. To reach the first goal two publication
series have been founded: Quaderni dell'Istituto Liszt and
Liszt
Rarities. For the second aim special concerts are
organized during the winter season, in which artists of
international renown play very rarely performed pieces on a Steinway gran coda
1860.
Unlike other Lisztian periodic publications, such as the
Journal of the American Liszt Society, the
British Liszt Society Journal, and the Journal of
Dutch Franz Liszt Kring, the Quaderni dell'Istituto
Liszt is an irregularly issued publication devoted to Liszt's
personality and work, sometimes in the form of collected articles,
sometimes in that of a monograph. Its main theme is the presentation
of unpublished documents: letters, music sketches, memories of Liszt
or of people who contributed to the definition of his poetics or who
belonged to his circle. Some articles are devoted to the analysis of
Liszt's works according to the more recent methods of systematic
musicological criticism.
The Quaderni dell'Istituto Liszt, whose first
issue was published by Ricordi, are now published by Rugginenti –
Milan.
The editorial plan contemplates miscellaneous and
monograph numbers. The volume 3 is a revision of Liszt's catalogue
of the works edited by Michael Short and Leslie Howard.
Click name of the author to read the
abstract.
N.1 (1998)
Flavio Ponzi, Caratteri
tipologici del pianoforte Steinway
tardo-romantico
Carlo Vitali, “Zur Erinnerung an
Liszt”: un percorso mitografico viennese in due
stadi
N.2
(2000)
Anna Quaranta, La bella
contessa e il dio greco. Thalberg e Liszt di fronte a
Verdi
Bertrand Ott, L’art du piano
selon Liszt. Exigences instrumentales pour une liberation
musicale
INTERVENTI
Maurizio
Giani, Recensione a Lisztiana I e
II
N.3
(2004)
Elenco delle opere.
Ampliamento del Catalogo di Humphrey Searle e della revisione
di Sharon Winklhofer
N.4 (2004)
Marco Beghelli, Lettere di
Carolyne von Sayn-Wittgenstein a Nadine Helbig
Andrea Estero, Retorica
dell’improvvisazione e inganni formali: una proposta di analisi
delle fantasie su motivi d’opera di Liszt
Bertrand Ott, Marie Jaëll et
Franz Liszt, creuset d’une ambiguité musicale et
pianistique
N.5
(2006)
F. Liszt, Nuove
lettere da Weimar raccolte, trascritte e commentate da Rossana Dalmonte
N.6
(2007)
Claude Knepper, La
correspondance entre Franz Liszt et Daniel
Ollivier
Laurence Le Diagon-Jacquin,
Une épreuve d'édition annotée de la main de Liszt: le
manuscrit In fol. 439 de la bibliothčque du C.N.R. de
Dijon
N.7 (2008)
Claude Knepper, Daniel
Ollivier (1862-1941), petit-fils et filleul de Franz Liszt.
Esquisse biographique
Ida Zicari, La musica di
Liszt interpretata dai coreografi
Céline Carenco, L'orchestra
au piano: Liszt et la transcription de la Symphonie
Fantastique de Berlioz
AUTOGRAFI
N.8 (2009)
Marco Beghelli, Angelo de
Gubernatis: un «savant illustre» tra Liszt e Madame
d'Agoult
Andrea Malvano, Ce qu'on entend
sur la montagne. Franck e Liszt alle origini del poema
sinfonico
AUTOGRAFI
RECENSIONI
| Mariateresa
Storino, |
Cécile Reynaud, Liszt et
le virtuose romantique, Honoré Champion, Paris
2006 |
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Paul
Bertagnolli, Prometheus in music, Ashgate,
Aldershot
2007 | |
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Proposal of articles and reviews can be sent to Istituto
Liszt by e-mail (file readable in Microsoft Word) or post. Articles
should be accompained by a one-paragraph abstract of their content.
The scientific committee will evaluate the material and eventually
will propose the publication. |
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